Moon and Pen

Above, we have Ewen Whitaker’s 1954 map of the lunar south pole, which shows up as today’s Lunar Photo of the Day (LPOD), although of course, it’s not a photo… Well, why be picky? It’s a gorgeous drawing described as follows in the LPOD entry: “Despite a fleet of lunar probes and modern high resolution imaging, the best observer’s map of the south polar region of the Moon remains one drawn a half century ago.”

What strikes me as utterly compelling about the above image is what I read as simplicity and clarity in it: the bold lines that delineate craters and ridges, the dotted lines offering a sense of depth, the multiple but surprisingly unobtrusive names and labels. At the same time, these are conventions that I recognize and understand (as well as the general depiction of perspective), and I’m curious to know how a novice would read this image.

Perhaps because I draw, I find such illustrations very compelling. But I think it’s simply the human touch… Utterly apparent in the handwritten words (right down to the question marks) and the quality of the lines on the page (or computer screen). These elements pull me into the image in a way that almost no Adobe Illustrator images can.

But LPOD author Chuck Wood makes an interesting point: there is a clarity and interpretive value lent by the human touch. “The best observer’s map of the south polar region” issues from an artist’s pen, not a digital camera.

Yesterday’s LPOD tells a related but somewhat different story, comparing a drawing and a photo of the same region of the Moon. As the post says, “Sally, an experienced observer and skilled artist, captured the essence, the feeling of this area, and Simon captured the reality. ” The drawing and photo, side by side, reveal something unsurprising yet somewhat poignant. The eye and hand versus the CCD.